Hey Bill, Sure. I work intuitively and find it difficult to express myself concretely, but I will make an attempt. The influence is experimental film. Its visual rhymes and rhythms. How it draws your attention to its structure, but at the same time becomes hypnotic and or jarring. I started with an idea of metadata: SMPTE time code, color framing, NTSC, grids, LCD calibration, but also brain waves, the retina and neural impulse. On a personal level, I go into these none verbal mental states of just color, light, sound and physical sensation. I do not respond to other people unless they approach me in a sensual or violent way. It is not an unpleasant state and more of an aggravation to others who try to fix it with medication or therapy.... So issues of control arrive in the sequence and its approach to structure, I think?
i'm sitting here in a stupor of amazement. I clicked on dogboy's link to here and thought "where has he been hiding THIS? A wonder of wonders that i can't possibly describe."
Really nice to notice you following my blogs, seeing this place was a big reason why I started posting stuff in the first place. Love what you do here. - Steve
Flit, that's a spectacular sequence.
ReplyDeleteCare to talk a little about your process, etc?
Bill
Hey Bill, Sure. I work intuitively and find it difficult to express myself concretely, but I will make an attempt. The influence is experimental film. Its visual rhymes and rhythms. How it draws your attention to its structure, but at the same time becomes hypnotic and or jarring. I started with an idea of metadata: SMPTE time code, color framing, NTSC, grids, LCD calibration, but also brain waves, the retina and neural impulse. On a personal level, I go into these none verbal mental states of just color, light, sound and physical sensation. I do not respond to other people unless they approach me in a sensual or violent way. It is not an unpleasant state and more of an aggravation to others who try to fix it with medication or therapy.... So issues of control arrive in the sequence and its approach to structure, I think?
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ReplyDeletei'm sitting here in a stupor of amazement. I clicked on dogboy's link to here and thought "where has he been hiding THIS? A wonder of wonders that i can't possibly describe."
ReplyDeleteTotally beautiful.
ReplyDeleteReally nice to notice you following my blogs, seeing this place was a big reason why I started posting stuff in the first place. Love what you do here. - Steve
ReplyDeletefascinating
ReplyDelete